{"version":"1.0","provider_name":"Public Square Magazine","provider_url":"https:\/\/publicsquaremag.org","title":"The Room Next Door Review - Public Square Magazine","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"HpchQFUZG1\"><a href=\"https:\/\/publicsquaremag.org\/bulletin\/the-room-next-door-review\/\">The Room Next Door Review<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/publicsquaremag.org\/bulletin\/the-room-next-door-review\/embed\/#?secret=HpchQFUZG1\" width=\"600\" height=\"338\" title=\"&#8220;The Room Next Door Review&#8221; &#8212; Public Square Magazine\" data-secret=\"HpchQFUZG1\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/publicsquaremag.org\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","description":"\u201cThe Room Next Door\u201d is the latest example of arthouse social engineering.\u00a0 The film is about a troubled woman, Martha, who in the midst of cancer treatments decides to commit suicide. If this bothers you, the film implies, it is because there is something wrong with you. This is all the more troubling, because the film, in many ways, is beautiful. It is directed by Pedro Almod\u00f3var, one of the most acclaimed living film directors, in his first full-length film in English. And you can\u2019t help but be taken by the beauty of it all. The film is suffused with the soft colors of the woods. Despite being an entire screenplay full of little except two friends talking, the camera work keeps the film alive and moving. And Julianne Moore and Tilda Swinton who play Ingrid and Martha once again give impeccable, engaging performances, that you can\u2019t help but admire.\u00a0 But all the beauty in this film is in service of a story that is decidedly ugly\u2014but not self-awarely so. Our two main characters are old friends who met as young writers. Ingrid has published a best seller recently, where she writes about how she can\u2019t accept death. On her publicity tour, she learns that Martha is in the hospital with cancer. She goes to visit her and reignite their friendship. We learn through the conversations that these characters aren\u2019t bad people, necessarily, they just struggle to see a world outside of their own desires and consciousness. They have repeatedly avoided building relationships or having families. Martha does have a daughter. But she chased her father away, then lied to her about who he was her whole life, and then proceeded to be an absent mother so she could chase the romanticism of being a war correspondent.\u00a0 Now that she is sick and dying, she notices that she has no one in her life. The movie comments on this like an unusual quirk, rather than the inevitable result of a life of bad decisions. We learn early on that cancer treatment can be a roller coaster with euphoric peaks, and miserable nadirs. During one such rut, Martha purchases a suicide pill, and decides she will kill herself. She reaches out to Ingrid and asks her to come on vacation with her, so that she will have someone in the house when she does it.\u00a0 Ingrid agrees. And although she early on expresses some discomfort, she quickly respects Martha\u2019s wishes to largely pretend nothing is happening. They have a lovely vacation in upstate New York watching old movies and reading books. While they are there, Ingrid reconnects with Damien (John Turturo) an ex-boyfriend of both hers and Martha\u2019s. He is horrified at the state of the world, and seems to only live for sex (or to constantly talk about sex.) Damien is not a sympathetic character, and perhaps the audience is supposed to read that his unpleasant and helpless politics are akin to Martha\u2019s helpless approach to life. If so the audience hardly has time to ponder it under a heavy heaping of affirmations about the power to choose, and the dignity to die.\u00a0 Eventually, Martha does exactly what she promised to do. There is a brief police investigation where the officer (Alessandro Nivola) expresses concern that Ingrid would have knowingly not gotten help for her friend. A lawyer comes and helpfully tells the audience we can ignore that concern because he is a religious fanatic. This is the kind of movie that alludes to James Joyce not just once but three times. It is so pleased with just how artsy it is. And for a film with a message like \u201clife isn\u2019t worth fighting for,\u201d the best comfort is that it\u2019s so artsy not a lot of people will watch it.\u00a0 The only people I would recommend watching this film is for those studying how society has devalued human life, and how good tools can be misused to harm people. The film is rated PG-13. It includes several normalized same-sex relationships, and some joking about polyamorous relationships. But obviously the biggest warning is the way it normalizes and glamorizes suicide. If you watch it with older teenagers, I would focus on questions about the choice that Martha made, and how family and relationships could have helped her make better choices. I might ask about how Ingrid could have been a better or more caring friend. One out of five stars. \u201cThe Room Next Door\u201d will be released in theaters nationwide January 17, 2025."}